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J'espère que le trim control du 737 max sera fidèlement reproduit

mr_zlu a écrit:

Pour une photo ça marche bien

Un site à préféré peut-être ? Y en a trop quand tu tapes «impression sur verre" dans google et la moitié me donne l'impression que je finance le crime organisée en l'utilisant.

Pour la carte, le fichier source est bien volumineux (je sais plus exactement, faut que je retrouve le dd sur lequel elle est sauvegardée). C'était plus une question d'avoir un cadre un peu atypique pour ce genre de carte.

Par contre personne pour dire ok on taxe pas à la pompe mais nos taxes d'aéroport inclueront une taxe pour le nombre km volés au dessus de notre territoire x la conso moyenne du bouzin x le taux de taxe.

Concurrence déloyale internationale ? Pour des vols nationaux ? La France n'aurait pas le droit de les taxer ?

mox a écrit:

haha putain la meuf est la boss d'une agence de com' en plus .. /facepalmdeplatine

100% golmon: https://www.instagram.com/p/ByVproCAbmP/

https://news.ycombinator.com/item?id=20098638

I worked at Valve a few years back, and I could write a book about what's wrong there. I think the biggest problem they have -- which the author of this article touched on -- is that "success is the worst teacher." Valve have discovered that cosmetic microtransactions are big money makers, and thus every team at Valve was dedicated to that vision. When I was there (before Artifact started in open development) there were essentially no new games being developed at all. There was a small group that were working on Left for Dead 3 (cancelled shortly after I joined), and a couple guys poking around with pre-production experiments for Half-Life 3 (it will never be released). But effectively all the attention was focused on cosmetic items and "the economy" of the three big games (DOTA, CS:GO, and TF2). One very senior employee even said that Valve would never make another single player game, because they weren't worth the effort. "Portal 2," he explained, had only made $200 million in profit and that kind of chump change just wasn't worth it, when you could make 100s of millions a year selling digital hats and paintjobs for guns (most of which are designed by players, not the employees!)

I joined Valve because I excited to work with what I thought was the best game studio in the world, but I left very depressed when I found out they're merely collecting rent from Steam and making in-game decorations for old games.

Pre-order et epic store, putain tu cherches mec.